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Laboratory Techniques: Metal Casting

The sequence of images above show some of the stages involved in creating gold based restorations: From pattern making to the end product.

 

Wax patterns are formed on a ring former base.

Wax Patterns

First wax patterns are formed (or sculpted) by hand. They are attached to a ring former base using red, preformed wax bars. These form the channels or flutes, into which the molten metal will flow.

An outer sleeve is placed onto the wax pattern base.

Investment Process

An outer sleeve is placed over the wax pattern, creating a tight seal with the ring formers base.

Invesment material is poured into the ring former.

Investing Material

Investing material is mixed and poured into the ring former and allowed to set. The outer parts of the ring former are then removed and the remaining hardened plaster becomes the investment ring or mould.

The wax pattern is vapourised.

Wax Burnt Away

The investment ring is placed in a burn-out furnace to burn out the wax pattern which is still inside.

Metal alloy is melted using a gas torch.

Molten Metal

Using a gas torch, precious metal is melted into a crucible prior to it being cast.

The molten metal is spun in a centrifuge.

Metal Casting

With the impression ring placed in situ with the crucible on a centrifuge; centrifugal force then transfers molten metal into the mould.

The spun metal cast is allowed to cool.

Cast Metal Cools

The molten metal is then allowed to cool.

The invetment mould is sand blasted away from the cast.

Sand Blast

Finally the investment material is sand blasted away from the metal cast.

The cast metal with its sprues still attached.

Metal Form Prior to Finishing

The cast is then sent to be hand finished and polished.

The finished crowns.

Final Crowns and Bridges

The end result can be a set of full gold crowns, or a metal supported bridge, or a combination of both, as seen in this image.

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